Assistant editor in film and TV cutting rooms since 2016: dailies, turnovers and VFX tracking on Avid Media Composer and Premiere Pro.

Now in London, looking for 2nd Assistant Editor work in high-end TV.

  • Available now, including night dailies and AE cover

  • London-based, able to work anywhere in the UK

  • Right to work in the UK (BNO visa, no sponsorship required)

  • Cantonese (fluent) and Mandarin (conversational)

  • BFE Associate Member

‍ ‍ ‍Selected credits ↓

WHAT I DO


Dailies

  • Rushes synced, grouped and in scene bins before the editor starts the day

  • Ingest, backup, sync, grouping, multicam and string-outs

  • Metadata checked against DIT and continuity reports

  • Liaison with the DIT and post house on delivery and formats


Turnovers

  • Turnovers checked before they leave the cutting room

  • AAF, EDL, XML and OMF to sound, online, grade and VFX

  • Change lists, online lists, music cue sheets and ADR lists


Cutting Room

  • Exports and viewing links for producers and execs (Pix, Frame.io)

  • Avid and Premiere projects kept in step for two editors

  • Project set-up on Avid NEXIS and NAS

  • Archiving at wrap

VFX and QC

  • VFX tracked from turnover to the DI, with the latest shots in the cut

  • QC of 3D, Dolby Vision and IMAX versions

  • Netflix deliverables

  • Chinese and English subtitle files from translators' scripts



SONS OF THE NEON NIGHT

- Assistant Editor · Feature · 2025
- Cannes Midnight Screenings 2025

LEFT ON READ

- Assembly Editor · Drama series · 2023
- ViuTV, 15 × 50 min

Operation Red Sea

- Assistant Editor · Feature · 2018
- 800+ VFX shots, four vendors

Operation Mekong

- Assistant Editor · Feature · 2016
-Multicam dailies over 143 shooting days

Assistant Editor and Assembly Editor
YearTitleRoleFormatDirectorEditor
2025Sons of the Neon NightSole AE; Avid and Premiere in parallel; VFX tracking in ShotGridAssistant Editor (sole AE)Feature, 132 minJuno MakMonika Willi, William Chang
2023Winter ChantsSelects and string-outs; broadcast re-editAssistant EditorDocumentary, 102 minTsui-Shan Jessey TsangMary Stephen, Eason Keung, Tsui-Shan Jessey Tsang
2023Left On ReadAssemblies, temp sound and VFX; RAW workflow to the DIAssembly EditorDrama series, 15 × 50 minKin-Long ChanAlan Lo
2022Mama's AffairJoined late in offline; sound, picture and VFX turnoversAssistant EditorFeature, 126 minKearen PangJ. Him Lee, Jojo Shek, Kearen Pang
2021Turns We TakeVFX tracking and turnovers, vendor reviews, final shots to the DIAssistant Editor (VFX)Feature, 97 minVernie YeungVernie Yeung
2019The RookiesVFX tracking and reviews; 3D stereo conversion; final VFX to the DIAssistant Editor (VFX)Feature, 113 minAlan YuenRon Chan
2018Operation Red Sea800+ VFX shots, four vendors; 3D, Dolby Vision and IMAX QCAssistant EditorFeature, 139 minDante LamChoi Chi-hung, Lam Chi-hang
2016Operation MekongMulticam dailies over 143 shooting days; Avid and FCP7Assistant EditorFeature, 138 minDante LamDavid M. Richardson
Editor
YearTitleRoleFormatDirectorWith
2025My First of MayShared the edit on Avid; Film Festival trailersEditor (shared credit)Feature, 91 minJames HungKai-Pong Chow
2023Bursting PointShared the edit on Avid; turnover workflow; FILMART trailersEditor (shared credit)Feature, 139 minDante Lam, Wai-Hon (Calvin) TongFan Wai-shan
2021Journey to the West RewindStage-to-screen edit and grade; Cantonese opera, 49th Hong Kong Arts FestivalEditorScreen theatre, 60 minAta Wong, Kwan-Yin Shum
2021Women Like UsStage-to-screen edit and grade; Cantonese chamber opera, 49th Hong Kong Arts FestivalEditorChamber opera for screen, 62 minOlivia Yan, Dom Tang
2018OCTBShared the edit on Premiere; Netflix deliverablesEditor (shared credit)Drama series, 30 × 45 minBoon-Chung SungGin-Kai Yin

Available now for 2nd Assistant Editor roles, AE cover and shadowing in London, including short contracts. Happy to do a trial day.

Email: dorishui.dh@gmail.com

Phone: +44 7541 486 108

Based in London, willing to relocate

Right to work in the UK (BNO visa), no sponsorship required