Assistant editor in film and TV cutting rooms since 2016: dailies, turnovers and VFX tracking on Avid Media Composer and Premiere Pro.
Now in London, looking for 2nd Assistant Editor work in high-end TV.
Available now, including night dailies and AE cover
London-based, able to work anywhere in the UK
Right to work in the UK (BNO visa, no sponsorship required)
Cantonese (fluent) and Mandarin (conversational)
BFE Associate Member
Selected credits ↓
WHAT I DO
Dailies
Rushes synced, grouped and in scene bins before the editor starts the day
Ingest, backup, sync, grouping, multicam and string-outs
Metadata checked against DIT and continuity reports
Liaison with the DIT and post house on delivery and formats
Turnovers
Turnovers checked before they leave the cutting room
AAF, EDL, XML and OMF to sound, online, grade and VFX
Change lists, online lists, music cue sheets and ADR lists
Cutting Room
Exports and viewing links for producers and execs (Pix, Frame.io)
Avid and Premiere projects kept in step for two editors
Project set-up on Avid NEXIS and NAS
Archiving at wrap
VFX and QC
VFX tracked from turnover to the DI, with the latest shots in the cut
QC of 3D, Dolby Vision and IMAX versions
Netflix deliverables
Chinese and English subtitle files from translators' scripts
SONS OF THE NEON NIGHT
- Assistant Editor · Feature · 2025
- Cannes Midnight Screenings 2025
LEFT ON READ
- Assembly Editor · Drama series · 2023
- ViuTV, 15 × 50 min
Operation Red Sea
- Assistant Editor · Feature · 2018
- 800+ VFX shots, four vendors
Operation Mekong
- Assistant Editor · Feature · 2016
-Multicam dailies over 143 shooting days
| Year | Title | Role | Format | Director | Editor |
|---|---|---|---|---|---|
| 2025 | Sons of the Neon NightSole AE; Avid and Premiere in parallel; VFX tracking in ShotGrid | Assistant Editor (sole AE) | Feature, 132 min | Juno Mak | Monika Willi, William Chang |
| 2023 | Winter ChantsSelects and string-outs; broadcast re-edit | Assistant Editor | Documentary, 102 min | Tsui-Shan Jessey Tsang | Mary Stephen, Eason Keung, Tsui-Shan Jessey Tsang |
| 2023 | Left On ReadAssemblies, temp sound and VFX; RAW workflow to the DI | Assembly Editor | Drama series, 15 × 50 min | Kin-Long Chan | Alan Lo |
| 2022 | Mama's AffairJoined late in offline; sound, picture and VFX turnovers | Assistant Editor | Feature, 126 min | Kearen Pang | J. Him Lee, Jojo Shek, Kearen Pang |
| 2021 | Turns We TakeVFX tracking and turnovers, vendor reviews, final shots to the DI | Assistant Editor (VFX) | Feature, 97 min | Vernie Yeung | Vernie Yeung |
| 2019 | The RookiesVFX tracking and reviews; 3D stereo conversion; final VFX to the DI | Assistant Editor (VFX) | Feature, 113 min | Alan Yuen | Ron Chan |
| 2018 | Operation Red Sea800+ VFX shots, four vendors; 3D, Dolby Vision and IMAX QC | Assistant Editor | Feature, 139 min | Dante Lam | Choi Chi-hung, Lam Chi-hang |
| 2016 | Operation MekongMulticam dailies over 143 shooting days; Avid and FCP7 | Assistant Editor | Feature, 138 min | Dante Lam | David M. Richardson |
| Year | Title | Role | Format | Director | With |
|---|---|---|---|---|---|
| 2025 | My First of MayShared the edit on Avid; Film Festival trailers | Editor (shared credit) | Feature, 91 min | James Hung | Kai-Pong Chow |
| 2023 | Bursting PointShared the edit on Avid; turnover workflow; FILMART trailers | Editor (shared credit) | Feature, 139 min | Dante Lam, Wai-Hon (Calvin) Tong | Fan Wai-shan |
| 2021 | Journey to the West RewindStage-to-screen edit and grade; Cantonese opera, 49th Hong Kong Arts Festival | Editor | Screen theatre, 60 min | Ata Wong, Kwan-Yin Shum | |
| 2021 | Women Like UsStage-to-screen edit and grade; Cantonese chamber opera, 49th Hong Kong Arts Festival | Editor | Chamber opera for screen, 62 min | Olivia Yan, Dom Tang | |
| 2018 | OCTBShared the edit on Premiere; Netflix deliverables | Editor (shared credit) | Drama series, 30 × 45 min | Boon-Chung Sung | Gin-Kai Yin |
Available now for 2nd Assistant Editor roles, AE cover and shadowing in London, including short contracts. Happy to do a trial day.
Email: dorishui.dh@gmail.com
Phone: +44 7541 486 108
Based in London, willing to relocate
Right to work in the UK (BNO visa), no sponsorship required