Sole AE from the six-hour first cut, through a three-hour version, to the 132-minute Cannes cut.

Converted the whole project from Avid to Premiere Pro when a second editor joined, with sync maps and AAF turnovers, and checked that every edit and effect carried over.

Kept media tracking and shared storage in step, so editors in Hong Kong and Austria cut from the same material.

Tracked VFX with international vendors in ShotGrid, with feedback and handovers in one place.

Cut promotional trailers and assembly scenes.

WHAT I DID