Assistant Editor

Scripted TV | Feature Film | Longform Post

London-based Assistant Editor supporting cutting rooms with rushes prep, syncing/grouping, Avid and Premiere organisation, review exports, turnovers, VFX pulls and QC preparation.

Feature, scripted, documentary and VFX-heavy post experience.

SHOWREEL

VIEW CREDITS

DOWNLOAD CV

Assistant Editing Support

  
          ↓
        
Rushes & Prep
Ingest, checksums and transcoding
Syncing, grouping and multicam prep
Scene bins, string-outs and sync maps

          ▭
        
Edit Room Support
Avid and Premiere project organisation
Review exports and WIP files
Temp sound, temp VFX and reference materials

          ⇄
        
Turnovers & Handoffs
AAF, EDL, XML and OMF preparation
VFX pulls, change lists and vendor references
Sound, online, DI and finishing handoffs

          ✓
        
Workflow & QC
Shared storage organisation
Version control and relinking support
QC preparation and delivery-facing checks

SELECTED WORK

Sons Of The Neon Night

Assistant Editor | Feature Film | Cannes 2025

Supported two editors across a long-form, VFX-heavy feature workflow, including media management, cross-NLE Avid/Premiere workflows, turnovers, ShotGrid tracking and remote editorial support.

Operation Red Sea

Assistant Editor | Feature Film | Action

Prepared rushes, sync maps, multicam material, review files and turnovers across a large-scale action feature, coordinating editorial materials for 800+ VFX shots and multiple international vendors.

Left On Read

Assembly Editor | Scripted Series | 15 × 50 min

Prepared dailies, scene string-outs, temp music edits, review files and turnovers while supporting assembly cuts, VFX tracking and RAW-to-DI workflow across a fast-paced scripted series.

The Rookies

Assistant Editor | Feature Film | Crime / Action

Joined during mid-stage post to support director/editor adjustments, VFX turnovers, sound reviews, online preparation and finishing-stage QC.

OCTB

Editor — shared credit | Scripted Series | 30 × 45 min

Shared editing credit across a large-scale workflow, showing long-form structure, rhythm and experience working across a multi-episode scripted series.

Bursting Point

Editor — shared credit | Feature Film | Crime / Action

Shared editing credit on a large-scale dramatic feature, supporting longform structure, pace and performance within an action/crime framework.

Originally from Hong Kong and now based in London, I am building a long-term career in the UK scripted television and feature film editorial system. I bring practical international post-production experience and am keen to contribute as a reliable Assistant Editor while learning local workflows properly from inside the cutting room.

Available for Assistant Editor roles, Edit Assistant cover, short-term cutting-room support, VFX-heavy editorial workflows and scripted / feature post teams needing organised, reliable help.

Doris Hui
London, UK
Email: dorishui.dh@gmail.com
Phone: +44 7541 486 108